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Νάρκισσος, 2003 Μεταξουπία του Αλέκου Φασιανού στον Εικαστικό Κύκλο Sianti

2,000.00

Code:
Νο 3092

Title:
Narcissus, 2003

Dimensions:
102 × 80 cm

This product is available. Price:
2,000.00
Description:

Silkscreen hand signed and numbered by the artist. Edition of 70 prints

In stock

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Yes. I have been painting since I was five. I painted my families fights, animals and faces. Many drawings were made from pure observation. Then came poverty and the civil war that influenced me a lot. I painted tanks and peoples oval faces presenting horror and evil. You can’t paint something you have not met first hand. In Paris I also spent a period creating people with oval heads and flies on their tongues. Then I lived in a small room with no windows on the walls but one located in the ceiling where I use to climb on a chair and stuck my head out in order to see Paris. All these difficulties, to move to a large unknown city among strangers, made me perhaps do such works. But it was good. Later the dictatorship had passed. I painted women sitting in nice rooms crafted with more plasticity. I tried making scenes more pragmatic and tried to leave the shadows I knew oh so well”

Source: tovima.gr

"The original inspiration for a painter is like the fire in a fireplace. When you light it, it becomes strong and flaming. Then it burns down and could all become ashes in one night. Then of course, ash can create fire again. I don’t believe you make better or worse works over time, I just believe your expression changes. Of course, what you do in the beginning is more magical because you see the world for the first time just like a child seeing a table for the first time believing it’s enormous. When you first discover painting, it's like a first story and it's very strong. Then another inspiration is needed. The difference is that you want to show to yourself that your abilities have improved and that you can make works more lush as Tsarouchis did with the classical works. When I saw them again, I didn’t find them classic but pioneering and handsome. I do not know why they fit into a classical or renaissance period. It was totally his"
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