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“With his love for the landscape, it was inevitable that Paris Prekas would turn to watercolor to better express his encounters with nature,” Chrysanthos Christou says. “Landscaping is particularly associated with watercolor and in that way it also gives us some of its most important formalities. The thematic starting point of the watercolor of Preka is the natural and human space, without the human form, a meeting and an internal conversation with every region of Greece, more of the island. His morphoplastic vocabulary in watercolor, without totally sacrificing visual reality, somewhat uses shaping and is based on more impressionistic and other forms, and the use of the role of light. ” Source: megarogyzi.gr
Nikos Grigorakis has described Paris Prakas as "A measure of Greek watercolor ". "His paint brush drives you to seduce yourself. With the simple means of watercolor, the painter succeeds in overcoming the hierarchy of techniques and transforms transparency and fluidity, essential elements of watercolor, into life images, into photocopies of senses. " And Nikos Grigorakis continues about the watercolors of P. Preka with the subject of Santorini: "In this watercolor series, Prekas seems to have captured that dazzling Aegean light that dazzles you. Architectural residential complexes, Fira, Oia, perched on the surrounding area, orchestrating a musical arrangement that, as a prayer, rises from the white of the churches with the intensity of meeting the blue of the sky. And sometimes the white houses, flocking next to each other, as if they are dancing in the galvanized surrounding landscape, from the lava of the volcano ... And I, the viewer to recover, sitting on a terrace that time, the only moment when the day is surrendered to the night, and sometimes I look forward to the first lantern, the light of ambivalence, to illuminate the apocryphal path that leads to the lost Atlantis ... " Source: megarogyzi.gr