His sculptural style is mainy expressionist and the subject is anthropocentric with symbolism. HIs predominant theme is seated female figures, often headless, alone or in groups, in attitudes that indicate physical and mental tension. His technique is very good and quite traditional, with discrete distortions that emphasize expression. Most of his works are cast in copper. The humanitarian mood and the critical commentary on social problems characterize the whole of his work aesthetically and thematically.
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