Nature gives a rich and varied view. It is full of microcosms, micro-episodes that the artist removes and rejects, but there will always be some to express a natural truth. How do you choose these micro-episodes that you light up and magnify? Everyone has a different temperament. We are special. It's a charming journey to work through the light. Sometimes it's inconceivable that some people do not look outside. Do not see nature. Do not observe nature. In class you are a northern European who does not have a lot of sun, not much light and you try with your own inner stimuli to gigantic, to make your own way. Here everything is generous. You go out and if you have a gift you can make masterpieces. We, the Greeks are happy that we have this light, this sea, these beautiful mountains these beautiful colors. We live in a charming dream. But some do not understand it, they are closed in, they are closed in their workshops. I did it myself at first. I had my own codes, the things around my apartment blocks, I had the rooftop that I saw Turkovounia from. The charming. I have painted them many times. I have painted many topics a lot of times and I was interested because through that, when you work a lot of times an object, you start and draw conclusions and start to extend. And you make roads and you have to follow these streets. Young people are hurting too much, they do not have the courage we had before. Let's get lost in what we do. They want results fast and to find the solution. The means is the way. Changing the way will also change the writing. It's nothing. What do we do? We must cultivate our inner world and organize and train ourselves very well. You must be passionate of course to succeed this. The more passionate you get, the better the work it will be. Since I mentioned the young people, I would like to say that there shouldn't be a day that you don't do something. Even just a sketch, a draft. There is no parthenogenesis in art. One project hangs on top of each other, and this whole story is shaped and made. Source art22.gr