The works, from the early 1960’s to the present, overflow with energy and testify the artist’s productivity, his belief in fiction, “at a time when he fears contours because he identifies them with dogmatism,” says Pavlos Samios, who defines himself as a “traditional postmodern” painter. As the years go by, as evidenced by his most recent works, in the 1990’s and 2000’s, he becomes more abstract because ‘the passage of time brings you a need to be with less and less’.
The painter draws his subjects from everyday life and at the same time from random things. The intersection of a look, a nod, an imperceptible movement, may in some way trigger its painting narrative.
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