“It is not so easy to ” get away ” from my architectural education or to bypass my industrial common sense. This with a close reading, is read as an obsession with deduction, if one thinks I belong to the architects of modernity, except, worshiping any interesting architecture of any past. I often think that subtraction in art (usually expressed in the performance of the human body) is parallel to the contemplation of modern architecture. I think the human body, unquestionably perfect, is ultimately “Baroque”. And unfortunately, the longer it gets older (here, please forgive my humorous mood), the more Baroque is done. Perhaps this disturbs me. Understand my obsession with vigor, lustrous surfaces, and subtle morphology, which he believes will thus “stall”, will prevent wear, “the artist notes.<\/p>\n","protected":false},"excerpt":{"rendered":"
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