The painter himself says in the text that was written about his retrospective exhibition in May 2006 in Thessaloniki: ” ‘When I was young, I lived in a house that was full of death. And that came through my paintings later on.
I used to paint dark rooms, full of plants that, as I said, I saw every day. These first works have the shadow of a missing mother, who moves into space. A triple mirror that was inside the house has been greatly influenced by me, even though it has been used as a model for various compositions.
When I was painting tombstones, it seemed to me that all the people around me were ready to leave. But before they left, they were on motorcycles, in telephone booths, in homes, in cafes. It must have been a shadow of pessimism.
The scenes of the Doctrine and the tombs had the same style, except that in the case of the dictatorship the subject was more obvious. Were as in the other, it was metaphysical, although I believe that the tombstone is not completely metaphysical: it is just what stays when someone leaves. “Source: atexnos.gr